The "Hotel Series" is Complete

“My Heart” - Part of the “Hotel Series” - Alabaster

So what do you do when you are stuck out of town for work? More importantly, when you are there for several weeks at a time? Do you watch a lot of movies, go for walks, workout at the hotel pool or gym? All of those are fine ideas. But what I think is a better one is to bring along a piece of stone and do a little carving! That’s right, I said bring along a piece of stone and carve away.

“From the Beginning to the End” - Part of the “Hotel Series” - Indiana Limestone

“Masquerade” - Part of the “Hotel Series” - Soapstone

This does take a little planning and thought. For instance, stone is heavy. So, the piece you choose to bring along has to be a small enough piece that it will fit in your luggage and not make it weigh too much. You also need tools. The only tools I think travel well, don’t make a mess, and don’t make too much noise are rasps. However, rasps can not be carried on a plane, so you have to check a bag. Be prepared to have your luggage checked by the TSA. I typically get one of their love notes in my luggage saying they have inspected the contents. Finally, you have to prepare the room you are going to work so you don’t create a mess for the cleaning staff. I typically use a towel laid out that I can then shake into a garbage bag or can.

Thought it all through? Good, you are all set. Think of the great dedicated carving time you could have when you are stuck in a town where you don’t really want to be. Bring along a stone and some tools and create some beautiful art!

The three photos in this article are all pieces I worked on over the last month while out of town for an installation. I only did the rough out then brought them back for the final sanding, polishing and basing. Bringing along some stone is a great way for me to not hate having to travel for work.

Finally...The "Born From The Broken" And Some Others Are Finished

Untitled Bordiglio Marble Contemporary Sculpture

Over the last few weeks is I have been unable to work down in the studio on my larger work because of a sick dog. The only good things about this is that I have had time to work on some of the small pieces that I can do in the house.

Stained Indiana Limestone Sculpture - "Born from the Broken"

Since February last year, I spent the vast majority of my time on a large public commission for Norton Hospital. The sculpture was too large and complex to have time to work on anything other than this one piece. I had other commissioned work, but could never feel confident to get to that, much less the myriad of ideas I have in my head just waiting to find their way into a piece of stone. That commission installed in April. Once complete, I immediately began work on the two larger pieces that have been delayed. I started carving a fountain that is a commissions well as an abstract piece for a show later this summer. While it was great to start in on some fresh ideas and pieces, I still had some small work that I had started prior to starting the Norton commission, as well as the many ideas that are just waiting to burst out of my head. I really thought that after the Norton sculpture was completed I would have time for both the larger work and the smaller pieces. It just hasn't happened. 

Tortoise Shell Alabaster Contemporary Sculpture

So, two weeks ago one of our dogs got sick. Because of the nature of the illness, she needed constant supervision. That meant that I couldnt work in the studio. While that has put some stress on finishing the larger work, it has provided the room in the schedule to complete a few of the smaller pieces that I has already started as well as get some ideas out of my head.

The untitled tortoise shell alabaster piece that is pictured here is one of the pieces I started over a year ago. Because of the difficulty of the stone to carve, I had set it aside in favor of other pieces several times. That piece is now complete.

I also had started a soapstone baboon that was not going in the right direction. I set that one aside as well and had not been able to return to it. I have started back into this one as well. (You can also see my dog is up and moving now!!)

Not only did I have the two (and many others) that I started and have been unable to get back to, I also have been looking at so many of the pieces of stone in my studio that I have not been able to start. That has now changed.

I have started and completed two other small pieces. The first was a piece that actually broke off of the large figure from my Norton commission. When it broke off, I was devastated. Several times I started to throw the piece out because it disgusted me. For some reason I never did. I am glad I did not, as I feel it turned out into a pretty nice piece.  I also started and finished a piece of Bordiglio Marble. This is a piece of marble that has been split off of a 3/4 life-size figure I am in progress on. It was a thin piece and I thought I saw something else in it, but it changed its mind and we ended up with the nice little piece that is on the double poles. 

So, the good news is that my dog is on the mend and next week I will be able to get back into the studio. But what it taught me is that I still need to take a bit of time to work on the small pieces that have provided such a great sense of accomplishment this past two weeks.

New Sculpture Completed

Over the past two months I have been frantically working on getting ideas out of my head and into stone. I have so many ideas that I was not able to get to while working on my Norton Hospital commission. I also had several ideas started before the commission and hadn't been able to get back to them to finish them. So finally, I have completed my first gallery small sculpture in months.

This piece is untitled as yet, although I have had the suggestion that it looks like a sting ray. That sounds interesting, so that may end up as the title. Even though the title is not complete, the rest of the piece is. This was one of the pieces I started before the Norton commission. It was a very difficult stone to carve. All of the veining created some fragility. I spent a lot of time changing direction and pressure to keep pieces from breaking off. There is also a big difference in the density throughout the stone. I would be carving along on one of the harder areas and all of the sudden the grinder would dig in. It was tough to control the pace of the tools. All that bings said, those difficulties are caused by things that create such a beautiful stone! So, as soon as I finished this piece, I ordered some more pieces!